Oct
6
7:00 PM19:00

Sing Joyfully: 60th Anniversary Concert

The Los Angeles Master Chorale opens the 2024-2025 season with Sing Joyfully | 60th Anniversary Celebration Concert, which features a cappella pieces from the Renaissance to present day. The concert opens with William Byrd’s ebullient Sing Joyfully, and the Chorale will take Byrd at his word by joyfully singing choral showpieces by Anton Bruckner, Sergei Rachmaninoff and Juan Gutiérrez de Padilla. The second half of the program celebrates the 30th anniversary of Morten Lauridsen’s classic O Magnum Mysterium (written for the Chorale), along with glorious music of Elinor Remick Warren, Moses Hogan and Leonard Bernstein among many others.

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Jan
25
7:30 PM19:30

Faculty Recital: Mayr and Bach

Bryan will join Cal Lutheran Faculty members in a recital of virtuosic Baroque pieces for harpsichord and harpsichord chamber music, exploring the sonic palette of the harpsichord in chamber and church music of the 17th and 18th centuries. Bryan will join CLU faculty members Dr. Eric Kinsley on harpsichord, Dr. Keum Hwa Cha on violin, and Niccole Modell on flute.

He will be featured as tenor soloist on the sacred motet Laudate Pueri Dominum by 17th century German composer Rupert Ignaz Mayr, and an aria excerpt, “Ich traue seiner Gnaden” from J.S. Bach’s Cantata No. 97 In allen meinen Taten".

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Jan
24
7:00 PM19:00

Westmont Spring Faculty Recital

Music Faculty to Shine at Spring Recital

Westmont’s talented music faculty will perform the Spring Faculty Recital on Friday, January 24, at 7 p.m. in Deane Chapel. The concert is free and open to the public. For more information, please contact the Westmont Music Department at (805) 565-6040.

The concert will include a performance of Gioachino Rossini’s “Sonata for Wind Quartet No. 5 in D Major, Allegro spiritoso” by the Sonos Winds, a quartet featuring Andrea Di Maggio (flute), Joanne Kim (clarinet), Andy Radford (bassoon) and John Mason (horn).

Andrea Di Maggio will perform “Ballade Op. 288” by Carl Reinecke with her husband, Neil Di Maggio (piano). Neil will also perform Brahms’ “Rhapsody in E-flat Major Op. 119, No. 4.”

Westmont alumnus and adjunct voice professor Bryan Lane ’10 (tenor) will perform Francesco Paolo Tosti’s “Marechiare” and “Ideale” accompanied by Erin Bonski (piano).

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Considering Matthew Shepard
Nov
10
2:00 PM14:00

Considering Matthew Shepard

Bryan is excited to join the Areté Vocal Ensemble for this timely and moving project as a featured soloist and ensemble member. The piece is incredibly moving and is a call to action for justice in our time.

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Areté, the innovative professional ensemble of vocal artists, returns to the stage for its 11th season to perform Considering Matthew Shepard by Craig Hella Johnson.

In October 1998, Matthew Shepard, a gay student at the University of Wyoming, was kidnapped, severely beaten, tied to a fence and left to die days later in a lonely field under a blanket of stars. Two decades later, Johnson has responded with his first concert-length work. This three-part fusion oratorio speaks with a fresh and bold voice, incorporating a variety of musical styles woven into a unified whole. Johnson sets to music a wide range of poetic and soulful texts as well as passages from Shepard’s personal journal and his parents’ interviews and writings. The Washington Post wrote, “Considering Matthew Shepard demonstrates music’s capacity to encompass, transform and transcend tragedy. Powerfully cathartic, it leads us from horror and grief to a higher understanding of the human condition, enabling us to endure.”

With uncompromising attention to musical detail and a passion for live performance, Areté provides a joyful, moving, educational and soul-nurturing experience. Wyant Morton conducts.

Tickets are $20 at the door or $15 if purchased online in advance. Tickets for students with ID are $10 and free for children under 12. For information and to purchase tickets, visit aretevocalensemble.

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Berlioz: Romeo and Juliette, Oregon Bach Festival
Jul
13
7:30 PM19:30

Berlioz: Romeo and Juliette, Oregon Bach Festival

  • Hult Center for the Performing Arts (map)
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Called “a true sonic spectacular” by Michael Tilson Thomas of San Francisco Symphony and a “superb symphonic poem” by Opera News. On the 150th anniversary of Berlioz’s death, John Nelson conducts the Shakespeare narrative that the composer deemed “too beautiful, too musical” not to be performed. Venerated bass Eric Owens will portray the central role of Friar Laurence.

Bryan will join the Berwick Chorus of the Oregon Bach Festival for this spectacular festival ending finale!

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Jun
29
6:00 PM18:00

Mission Echos: The Music of the California Missions Revived

Join Chorus Angelum and the California Mission Sinfonia under the direction of Steven Ottomanyi for an evening of sacred music from colonial California. Hear for the first time since the Mission Era (1769-1850) the music of the California Missions performed with the instrumentation and voicing used by the original performers. This repertoire is the earliest polyphonic and orchestral music performed in the territory of the modern United States. The concert features Chorus Angelorum, a professional choir, and the California Mission Sinfonia, a Classical-era Mexican orchestra. Admission is free. Don’t miss this historic event!

SATURDAY JUNE 29, 2019

6:00PM Introductory lecture

6:30PM Seating begins

7:00PM Performance (with brief intermission)

8:30PM Reception with light refreshments

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Bach Motets with LA Bachtet
Mar
24
1:00 PM13:00

Bach Motets with LA Bachtet

Join us for a free performance in the historical Union Station, located in Downtown Los Angeles. Comprised of eight singers, the Bachtet will perform two of Bach's stunningly beautiful motets:

Jesu, meine Freude, BWV 227
Lobet den Herrn, alle Heiden, BWV 230

Singers:
Kelci Hahn
Beth Peregrine
Ilana Summers
Tracy Van Fleet
Bryan Lane
Anthony Ray
Luc Kleiner
Shuo Zhai

Accompanist:
Margaret Irwin-Brandon

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Bernstein's Mass with Dudamel
Feb
4
2:00 PM14:00

Bernstein's Mass with Dudamel

Dudamel marshals a huge cast of singers, choirs, dancers, rock band, marching band and orchestra for Bernstein’s unabashedly eclectic and highly dramatic theater piece. For this sweeping summation of life and music, Bernstein himself wrote most of the lyrics, which lay bare the crisis of faith experienced by a priest celebrating mass.

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Bernstein's Mass with Dudamel
Feb
3
8:00 PM20:00

Bernstein's Mass with Dudamel

Dudamel marshals a huge cast of singers, choirs, dancers, rock band, marching band and orchestra for Bernstein’s unabashedly eclectic and highly dramatic theater piece. For this sweeping summation of life and music, Bernstein himself wrote most of the lyrics, which lay bare the crisis of faith experienced by a priest celebrating mass.

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Bernstein's Mass with Dudamel
Feb
2
8:00 PM20:00

Bernstein's Mass with Dudamel

Dudamel marshals a huge cast of singers, choirs, dancers, rock band, marching band and orchestra for Bernstein’s unabashedly eclectic and highly dramatic theater piece. For this sweeping summation of life and music, Bernstein himself wrote most of the lyrics, which lay bare the crisis of faith experienced by a priest celebrating mass.

 

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Bernstein's Mass with Dudamel
Feb
1
8:00 PM20:00

Bernstein's Mass with Dudamel

Dudamel marshals a huge cast of singers, choirs, dancers, rock band, marching band and orchestra for Bernstein’s unabashedly eclectic and highly dramatic theater piece. For this sweeping summation of life and music, Bernstein himself wrote most of the lyrics, which lay bare the crisis of faith experienced by a priest celebrating mass.

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Palestrina: Master of All
Oct
15
4:00 PM16:00

Palestrina: Master of All

Praised and imitated by his contemporaries and revered throughout the centuries, Giovanni Pierluigi da Palestrina crafted some of the greatest a capella music of all time. Jouyssance devotes an entire concert to this contrapuntal master, presenting not only his most beloved motets, but also the sumptuous Missa L'homme armé à 5.  Although he is long associated with the Catholic Church, Palestrina had a rarely seen secular side, which Jouyssance will explore with a selection of his madrigals.

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Palestrina: Master of All
Oct
14
7:30 PM19:30

Palestrina: Master of All

  • St. Andrew's Lutheran Church (map)
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Praised and imitated by his contemporaries and revered throughout the centuries, Giovanni Pierluigi da Palestrina crafted some of the greatest a capella music of all time. Jouyssance devotes an entire concert to this contrapuntal master, presenting not only his most beloved motets, but also the sumptuous Missa L'homme armé à 5.  Although he is long associated with the Catholic Church, Palestrina had a rarely seen secular side, which Jouyssance will explore with a selection of his madrigals.

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BARTÓK CYCLE WITH DUDAMEL & YUJA WANG:  PIANO CONCERTO NO. 1
May
26
to May 28

BARTÓK CYCLE WITH DUDAMEL & YUJA WANG: PIANO CONCERTO NO. 1

  • Walt Disney Concert Hall (map)
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ARTISTS

Los Angeles Philharmonic

Gustavo Dudamelconductor

Yuja Wangpiano

Angela Meade, soprano

Alisa Kolosova, mezzo-soprano

Ladislav Elgr, tenor

Stefan Kocanbass

Iveta Apkalnaorgan

Los Angeles Master Chorale

Grant Gershonartistic director

PROGRAM

STRAVINSKYRequiem Canticles (c. 14 minutes)

BARTÓKPiano Concerto No. 1 (c. 25 minutes)Program Notes

JANÁČEKGlagolitic Mass (c. 38 minutes)

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The Heights of Heaven: An Afternoon of Chamber Music
May
14
4:00 PM16:00

The Heights of Heaven: An Afternoon of Chamber Music

Join Bryan, pianist Christopher Davis, and flutist Adriane Hill for a delightful afternoon of chamber music featuring the world premier of the song cycle The Heights of Heaven by composer Michael J. Bland. Other vocal works include English art songs by William Croft, Henry Purcell, Thomas Arne and English folk song arrangements by Benjamin Britten.

Chris Davis will present solo piano transcriptions by Franz Liszt of works by J.S. Bach and Franz Schubert.

Rounding out this afternoon of chamber music, flutist Adriane Hill and Chris Davis will present the "Sonata for Flute and Piano" Op. 14 by Robert Muczynski.

A reception with light refreshments will be offered after the recital.

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